athenaCL Tutorial Manual: Second Edition, Version 1.4.7 | ||
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Ariza, C. 2002. "Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. 561-567.
———. 2003. "Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. 187-193.
———. 2004. "An Object Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. 63-70.
———. 2005a. An Open Design for Computer-Aided Algorithmic Music Composition: athenaCL. Ph.D. Dissertation, New York University.
———. 2005b. "The Xenakis Sieve as Object: A New Model and a Complete Implementation." Computer Music Journal 29(2): 40-60.
———. 2006. "Beyond the Transition Matrix: A Language-Independent, String-Based Input Notation for Incomplete, Multiple-Order, Static Markov Transition Values." Unpublished.
———. 2007a. "Automata Bending: Applications of Dynamic Mutation and Dynamic Rules in Modular One-Dimensional Cellular Automata." Computer Music Journal 31(1): 29-49.
———. 2007b. "Serial RSS Sound Installation as Open Work: The babelcast." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. 1: 275-278.
Lewin, D. 1987. Generalized Musical Intervals and Transformations. New Haven: Yale University Press.
Morris, R. 1987. Composition with Pitch Classes: A Theory of Compositional Design. New Haven: Yale University Press.